Cinefantastique by Gary Lucas — review by Mark McCawley

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Cinefantastique

by Gary Lucas

 

review by Mark McCawley

 

gary-lucas-coverArtist: Gary Lucas
Album: Cinefantastique
Country: USA
Genre: Instrumental, Acoustic
Label: Northern Spy Records
Release date: 1 October 2013

 
Gary Lucas is among that contemporary cadre of post-Zappa guitarists — Fred Frith, Henry Kaiser, Mike Keneally, Steve Vai, Al Di Meola, John McLaughlin, Thurston Moore, Lee Ranaldo (to mention a few) — who are as at ease with complex compositions, regular use of dissonance and atonality and polyrhythmic time signatures, as they are with collaborations and on-the-spot improvisations. After well over 20 acclaimed solo albums to date, this Grammy-nominated songwriter and composer, soundtrack composer for film and television, and collaborator with such musicians as Captain Beefheart, Lou Reed, John Cale, Nick Cave, John Zorn, Bryan Ferry, Joan Osborne — Lucas shows no sign of slowing down creatively any time soon.
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Playing Chicken With Thanatos by Dire McCain — review by Mark McCawley

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Playing Chicken With Thanatos

by Dire McCain

 

review by Mark McCawley

 

Playing-Chicken-With-Thanatos-DireMcCain-664x1024Playing Chicken With Thanatos
by Dire McCain
Apophenia, 2013
ISBN 978-0615903156
US $14.40 | CDN $17.02 | Paperback
8.5×5.5 inches, 346pp

 

Playing Chicken With Thanatos is Dire McCain’s coming-of-age tale chronicling her adolescent descent into drug addiction and the Southern California drug world of the 1980s and 1990s populated by drug dealers, gang members, skinheads, rockers, yuppies, jocks, Ephebophiles (adult sexual preference for mid-to-late adolescent girls, generally 14–16 years old), Pedophiles (sexual interest in minors below the legal age of consent) and other predators.

Playing Chicken With Thanatos is aptly structured into three parts, named after rivers running through Hades — Acheron (woe), Phelegethon (fire) and Lethe (oblivion). Beginning with her own mother’s undiagnosed mental illness and subsequent suicide attempts, followed by her parent’s divorce, added to that the attempted molestation at age 12 by a best friend’s drunk father (along with Dire’s natural adolescent rebelliousness) sowed the seeds of her eventual fall into addiction.
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Recreating the President’s Brain from Zapruder’s Home Movie by Philip Quinn

Posted on by urbangraffito Posted in Poetry, Writing | 1 Comment

Recreating the President’s Brain

from Zapruder’s Home Movie

 

by

 

Philip Quinn

 

jfk-zapruder-film-still-feat
 

from Love’s field,

                       all roads lead to complete synaptic breakdown
 
at Main and Houston, sharp 90 degree turn for the worse

             one block north along Houston to Elm Street

 

the cheering crowds
traces of love, traces of American actor fallout
Hiroshima, “Ask not…”
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bart plantenga — in conversation with John Wisniewski and Mark McCawley

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bart plantenga

in conversation with

John Wisniewski

and Mark McCawley

 
bart-university of writing
 

John Wisniewski: When did you begin writing, bart? When did you publish your first writings?

bart plantenga: On any conscious level? It was probably in high school. A kind of prosaic awakening. First in 9th grade, for an assignment where we had to “travel” through South America and keep a diary I did one – times 10. Mine was over 100 pages long, about 3x longer than anyone else’s – I didn’t know I liked writing about places I had [never] been to. I wouldn’t know for another 2 years that that could be a talent – and what I’ve come to realize many years later an extremely underpaid talent at that.

For instance: Did you ever get into a discussion with friends or coworkers about being underpaid, earning a shit wage and such. Well, I have only done this once or twice: tried to estimate how much per hour I earned for an article or book I was paid for. You don’t want to know. THEY don’t want to know. It is like 10 American cents per hour. You point that out and nobody wants to hear it or believe.
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Mary — a film by Yarre Stooker

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Mary

a film by

Yarre Stooker

 
 

 
 

“Eddie Woods writes poetry the way he lives life, intensely. Experience informs his art, and vice versa. Passion, raw edges, nothing left out. Sex, love, politics…coupled with an unrelenting drive towards awareness, the need to understand what universal reality is all about. His poem “Mary” enters the listener’s ears like a wordbomb, exploding inside the mind, and reverberates down the spine like electroshocks from the brain’s pleasure centre.”

— Mark McCawley (from Mary by Eddie Woods, Urban Graffiti, March 8, 2012)

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