by Jeffrey Cyphers Wright
“Sigmar Polke Rides Again”, Collage, Copyright © 2014 Jeffrey Cyphers Wright
Swing your partner
Round and round
Go down swinging
Write your own ticket
Imagine civic engagement
as a party
Now dive into now
(Sucking wind) Read more
Life is Now:
The Art and Music
of Michael Alan
by Mark McCawley
“Mostly figurative, and based on the performances, the drawings here suggest an artist enthralled by improvisation. Alan’s thread-like lines are manically impulsive; they barely go an inch without detouring. Short, jagged strokes, tiny loops, and quick arcs make jittery, skeletal outlines of distorted human forms. Hasty daubs of blues and pinks wrap the frames with translucent skin while also conveying the blur of movement. Alan loves motion…”
-Robert Shuster, The Village Voice, Tuesday, July 20, 2010
by Shannon Barber
Take the blade.
Her voice is smooth almost a monotone and the handle of her blade is cool against my sweating palm.
She watches me — my eyes directed to the left of the thing in my hand. I don’t tremble but my eyes shake.
I am so afraid.
Look at it. She doesn’t speak but I hear the command.
Marco Rea: Pop Surrealist Provocateur
in conversation with
Born in Rome in 1975, where he still lives and works, Marco Rea graduated in History of Contemporary Art, producing for many years graffiti on the walls of several Italian cities as a graffiti artist. It was during this time that Rea created and developed his own unique ‘Pop Surrealist’ technique of spray painting on billboards and the pages of glossy magazines. The result being nothing less than provocative.
From Bulgari to Art by Marco Rea
Take for instance, ‘From Bulgari to Art’, in which Rea’s technique transforms glossy magazine advertising into something entirely new, alive. Rea has raised the culture jamming ethos of Italy’s urban street artists — a form of subvertising used to disrupt or subvert media culture and its mainstream cultural institutions, including corporate advertising — into an entirely new realm of artist endeavour which focuses not only on subverting or critiquing political or advertising messages, or their negation, but to transcend both image and message with one of Rea’s own creation.
Andreas Maria Jacobs is an artist, writer and editor born in The Netherlands in 1956. Urbanity is a main motif for the transmedial art which he produces. AMJ defines “transmedial art as any art trying to escape the traditional boundaries normally applied to specific art fields such as painting, dance, performance and the like. For me the art genre I work in is best described by ‘painting’.”
AMJ confesses that inspiration for his work comes both from his own experiences and the world surrounding him:
“In the sense that the separation between ‘me’ and the ‘other’ is always a problematic one and I use my work as a means to investigate this problematic duality. Inspiring philosophers who influenced my works are among others Jacob Boehme (a Renaissance thinker and Shoemaker), Spinoza (Dutch Renaissance Freethinker), Vladimir Solovyov (Russian 19th century Mystic) and the whole bunch of modern philosophers ranging from Karl Marx and Oswald Spengler to Deleuze and Pierre Bourdieu.
I cannot make a distinction between my ‘head’ and my ‘life’, my ‘head’ is my ‘life’ and my ‘life’ is my ‘head’, so what’s in my head is also in my life and vice versa.”
‘My head is my life and my life is my head.’ ~ Interview with Suze Hupkes, Yeditepe University Instanbul / Hogeschool Utrecht