Artist: Gary Lucas
Genre: Instrumental, Acoustic
Label: Northern Spy Records
Release date: 1 October 2013
Gary Lucas is among that contemporary cadre of post-Zappa guitarists — Fred Frith, Henry Kaiser, Mike Keneally, Steve Vai, Al Di Meola, John McLaughlin, Thurston Moore, Lee Ranaldo (to mention a few) — who are as at ease with complex compositions, regular use of dissonance and atonality and polyrhythmic time signatures, as they are with collaborations and on-the-spot improvisations. After well over 20 acclaimed solo albums to date, this Grammy-nominated songwriter and composer, soundtrack composer for film and television, and collaborator with such musicians as Captain Beefheart, Lou Reed, John Cale, Nick Cave, John Zorn, Bryan Ferry, Joan Osborne — Lucas shows no sign of slowing down creatively any time soon. Read more
Transgressive, discursive. Sex, desire, obsession, addiction. Poems, fictions, letters. Dialogues, monologues. Secrets. Dreams. Something old, something new. More than just the usual literary fare. Urban, ironic, sarcastic, sardonic, sometimes caustic. Allegorical. These poets, dream-weavers, memoirists, fictioneers, songwriters, storytellers, seek out new, unique vernacular to tell their particular narratives. Authentic, visceral, subversive, insurgent, real. As with any good story, poem, memoir, song — only through repeated listening does the myriad levels of meaning present themselves. Read more
Not a Good Sign is a project by AltrOck/Fading Records and some bands’ members of the label. Marcello Marinone, Paolo «Ske» Botta and Francesco Zago, after a successful collaboration in Yugen and Ske, proposed a new blend of their musical attitudes. The result was an ominous, fascinating sound melting vintage keyboards, powerful guitars and voice, supported by a compelling rhythmic drive. In 2011, Botta and Zago began to write the music, and Zago provided the lyrics. Soon, Gabriele G. Colombi and Alessio Calandriello, from La Coscienza di Zeno, also joined the band. The drummer Martino Malacrida completed the line-up in 2012. In the following two tracks — “The Deafening Sound of the Moon” and “Afraid To Ask” — many will recognize the Old Prog School sound from the 70s, albeit in a modern key, with a pinch of hard-rock and psych. Resonant vocal melodies and lyrics complete the band’s melancholy but colourful imagery: Read more
It all begins with some lit fuse, an old jingle for Palisades Amusement Park you’re still able to sing along with ["shows & dancing are free"], or the snap of a finger, the way she used to from the edge of the bed with a smirk, some glance of exposed warm skin holding the aroma of sun tan lotion, the sea lions in Central Park Zoo that remind you of Salinger – & reading Salinger on the 1979 F-Train & meeting Sylvina. I used to be a foot messenger & would pass through the zoo when it was rundown but free & I would talk to the animals between deliveries. [The old zoo serves as the final destination inBEER MYSTIC.] Or maybe its some vintage news report from the 1968 Chicago Riots, or an email from an old flame you came to NYC with from Ann Arbor who is wondering how you’re doing, or a sound – in my case, the sound bites here included, plus a few elusive bars from “Funk #49” by James Gang. Or is it Paloma taking photos of turtles in Central Park because she remembers my touching stories about my turtle “Spotty” when I was 10 & how the neighbors released him & I was heartbroken. “Was that what Spotty looked like?” she kept asking.
Transgression. Pushing boundaries. Territories. At times, obliterating them. Sarah de Leeuw — poet and human geographer — examines and explores the territory of human sexuality in her excerpt from ‘Geographies of a Lover‘ from NeWest Press. Tsaurah Litzky celebrates her own sensual transgressions in her excerpt from the memoir, ‘Flasher’ from Audible Books. Ron Kolm invites various Unbearables to recite poems from his new book of poetry, Divine Comedy, from Fly By Night Press at A Gathering of the Tribes Gallery. Max Blagg recites an except “Mugshot” from his novel, ’101 Nights’, at The Gershwin Hotel.