Fresh Raw Cuts

Movie Logic: Poems by Erik La Prade — review by Mark McCawley

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Movie Logic: Poems

by Erik La Prade

 

review by Mark McCawley

 
 
Movie Logic PoemsMovie Logic: Poems
by Erik La Prade
Poets Wear Prada (February 7, 2013)
ISBN-10: 0615761232
ISBN-13: 978-0615761237
$12.00 US pbk | $12.53 CDN pbk | £7.55 UK pbk
36 pages, 5.5″ x 8.5″, Poetry

 
 
In Erik La Prade’s most recent collection, Movie Logic: Poems, Alan Kaufman, editor of The Outlaw Bible of American Poetry succinctly surmises that La Prade continues “his cinematic verse celebration of urbanity and human tenderness, showing us life freeze-framed into mise-en-scènes of hilarity and heartbreak…”

Published by Poets Wear Prada, also known as PWP Books — a small press based in Hoboken, New Jersey, founded by Roxanne Hoffman, and devoted to introducing new authors through limited edition, high-quality chapbooks — Movie Logic: Poems is La Prade’s second chapbook with Poets Wear Prada, the first being SWATCHES in 2008.
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Remote Life by Edward Anki — review by Mark McCawley

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Remote Life

by Edward Anki

 

review by Mark McCawley

 
 

Remote Life by Edward Anki​Remote Life
by Edward Anki
BareBackPress, (November 24, 2014)
ISBN-10: 1926449029
ISBN-13: 978-1926449029
$8.00 US pbk | $10.06 CDN pbk | £4.97 UK pbk
46 pages, 5.25″ x 8″, Poetry

 
 
Remote Life is Edward Anki’s debut poetry collection, published by Hamilton-based independent publisher, BareBackPress, whose aim to publish “writers who aren’t afraid to take off their gloves and bare themselves, giving the world honesty. Truth we may not like, but are forced to accept…providing readers with an entertaining emotional elevator ride.” Read more

Kali’s Day by Bonny Finberg — review by Mark McCawley

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Kali’s Day

by Bonny Finberg

 

review by Mark McCawley

 
 
Kali'sDayKali’s Day
by Bonny Finberg
Unbearable Books/Autonomedia, (January 14, 2014)
ISBN: 978-1-57027-272-1
$15.95 US pbk | $17.69 CDN pbk | £11.99 UK pbk
234 pages, 8.3 x 5.5, Fiction

 
 

New Year’s eve he shows up at my door in black Prada, I’m in velvet. We’re dancing with his thigh between my legs. He lifts his shirt, revealing pierced nipples. He kisses me and a tongue stud knocks against my teeth. The rest of the night we’re dancing, kissing and laughing, drinking champagne at the bar. “Hello—” he says, giving me a lap dance, sliding his hand up my leg. He reaches into his pocket and takes out a lipstick. “I bought this today. Can you put it on me?”
“Hmm…Cinnabar.” I slide the lipstick over his mouth—“Impish leather boy,” I say, outlining one leaping cheekbone with the tip of my finger, “Crow morphed into man, creature of bark…You’re attracted to women who wear your dress size.”
That grin again.

 

(Prologue, Kali’s Day, p.9-10)

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This Wasted Land and its Chymical Illuminations by Marc Vincenz — review by Ron Kolm

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This Wasted Land

and its Chymical Illuminations

 

by Marc Vincenz (annotated by Tom Bradley)

 

review by Ron Kolm

 
 
This Wasted Land by Marc VincenzThis Wasted Land
and its Chymical Illuminations
by Marc Vincenz,
annotated by Tom Bradley,
Lavender Ink, New Orleans, April 2015
ISBN 978-1-935084-72-3
242 pages: $19.00

 
 

Marc Vincenz’s This Wasted Land is a fine addition to that long line of tricky texts that dot the periphery of Western literature. The denizens of this field that I’m familiar with are Swift’s Tale of the Tub and Battle of the Books, Joyce’s Finnegan’s Wake, Nabokov’s Pale Fire and my favorite: Flann O’Brien’s The Third Policeman.

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Flying Home by Steve Dalachinsky & Sig Bang Schmidt — Pre-Order

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Flying Home

 

visual art and poetry

 

by Steve Dalachinsky & Sig Bang Schmidt

 

Pre-Order

 
 
Flying-home-Front-Cover

R

eleased by Paris Lit Up Press just in time for the 100th anniversary of World War I, Flying Home is an extraordinary artistic collaboration featuring 55 original works of art by Sig Bang Schmidt with verses by world-renowned poet, Steve Dalachinsky.

Digitalizing and colorizing authentic World War I archival photographs, Sig Bang Schmidt’s images present surreal vistas of warfare revived with intensely saturated colors that bring the Great War out of the grim grayscale of textbook history. Steve Dalachinsky’s unique, vibrant words, create fragmented narratives of the lives and deaths of the men lost to the dark hole of war.
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