Books

Earthbound by Kenneth Radu — review by Mark McCawley

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Earthbound by Kenneth Radu

 

review by Mark McCawley

 

kennethraduearthboundEarthbound by Kenneth Radu
DC Books, Short Stories, November 2012
ISBN: 978-1-897190-87-6
162 pp., 5.5 x 8.5, $18.95 CAN

Novelist, short story writer, memoirist, poet — Kenneth Radu is a Quebec writer who writes obsessively in English. Author of more than sixteen titles, Radu’s body of work is quickly approaching the exactness and preciseness of a writer reaching his zenith — his short story collection, The Cost of Living was short-listed for a Governor General’s award, and he has twice won the QSPELL Prize for his story collection, A Private Performance and for his novel, Distant Relations.

In Earthbound — his most recent collection of short fiction from DC Books, following his short fiction collection, Sex In Russia: New & Selected Stories, also from DC Books — Radu continues his ongoing exploration of dirty realist narratives, finding the most extraordinary within the seemingly ordinary and banal of settings, which proves there is really no story not worth the telling (especially in the hand of a talented storyteller or fictioneer).
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The Unbearables Big Book Of Sex — review by Lehman Weichselbaum

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The Unbearables Big Book Of Sex

 

Review by Lehman Weichselbaum

 
unbearables big book of sex coverTHE UNBEARABLES BIG BOOK OF SEX , edited by Ron Kolm, Carol Wierzbicki, Jim Feast, Steve Dalachinsky, Yuko Utomo and Shalom Neuman.
Autonomedia/Unbearables Books.
2011. 640 pps. $18.95

First, to dispense with the obvious: The Unbearables Big Book Of Sex is not a stroke book. To be sure, you (or the grubby inner adolescent of you) will find, inevitably, a sprinkling of verifiable “dirty parts” (as a time-saving service, we refer you to pgs. 156, 165, 431 and 485). But savvy readers, looking past the book’s formal category as “erotica,” will surmise that the words “Unbearables” and “sex” appearing in the same title will more than likely yield, for the most part, a bumptious pageant of squalid missed connections, subliminal-to-outright multi-gendered abuse, delusional gambits of seduction and, overall, a Cook’s tour of carnal dysfunction in its myriad sordid forms. And, of course, they will be right.

The volume under review is the latest in a series of “big book” anthologies squired by the band of convivial literary incendiaries who call themselves “The Unbearables” — presumably after the classic novel by Milan Kundera. Like the other collections, this one includes several score contributors, many recurring from previous compendia, that include a few marquee names (Delaney, Malanga, Kostelanetz, Litsky), as well as familiar figures from New York’s alternative lit scene and sundry more from God knows where. Entries span most conceivable genres: fiction, memoir, poetry and criticism, as well as a lush center insert of visual art, which seems to favor the porno-collagiste.
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Trobairitz: Celebration of Voice, Love, Sex & Music in the Poetry of Catherine Owen

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Trobairitz: Celebration of Voice, Love, Sex & Music in the Poetry of Catherine Owen

 

Review by Mark McCawley

 

trobairitzTrobairitz
by Catherine Owen
Anvil Press, 5.5×8, 156pp, $18.00 CAN/US
published, Fall 2012

Despite the dark, often violent patriarchal images and themes associated with Trobairitz’s heavy metal subtext and its concomitant social and sexual inequalities and class structures — Catherine Owen’s Trobairitz is an optimistic, even confident collection of poems celebrating the myriad voices of love: passionate love, erotic love, marital love, adulterous love in which Owen has rediscovered and reapplied rare medieval forms against a heavy metal backdrop of the present without losing a single beat.

Instead of embroiling her poems on easy feminist sexual polemics (as many of her reviewers and critics seem to do), Owen celebrates the power and strength of women in her poems in Trobairitz regardless of whether they are set in the 12th or 21st Century (in some poems, time itself merges):
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Will the Real Matthew Firth Step Forward, Please?

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Shag Carpet Action
by Matthew Firth
Publisher: Anvil Press
Price: $18.00 paper
ISBN: 978-1-89753-584-4

One of the major difficulties of writing transgressive, post-realist urban fiction in Canada is how that writing, by and large, is received by reviewers. Largely lacking the critical wherewithal to appropriately interpret transgressive, post-realist urban fiction, reviewers simply regurgitate publisher press releases — often verbatim — then proceed to act as spoilers by giving up what the book is about, story by story, along with a few pithy interpretations.

Matthew Firth, born and raised in Hamilton, Ontario, and now living in Ottawa where he works by day for a national trade union has experienced these haphazard literary reviews ever since the publication of his first three collections of transgressive, post-realist short stories: Fresh Meat (Rush Hour Revisions, 1997), Can You Take Me There, Now? (Alley Cat Editions, 2001), and Suburban Pornography and Other Stories (Anvil Press, 2006).
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