eBooks

Tsunami of Love: A Poems Cycle by Eddie Woods — review by Mark McCawley

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Tsunami of Love: A Poems Cycle

 

by Eddie Woods

 

review by Mark McCawley

 

Tsunami-of-Love1Tsunami of Love: A Poems Cycle by Eddie Woods
Barncott Press, Kindle Edition, 2012
Amazon Digital Services, Inc.
ASIN: B006TM8UDC, 51pp
Tsunami of Love CD
Amsterdam, Ins and Outs Press, 2007
ISBN/EAN: 978-90-70460-09-9

In the preface to Eddie Woods’ 2011 Barncott Press Kindle edition eBook, Tsunami of Love: A Poems Cycle, Glasgow writer/anthologist J.N. Reilly says: “I cannot think of a poem similar to ‘Tsunami of Love.’ I doubt there is one; a gaping wound cauterized with such honesty.”

There is, however, one other poetry collection that immediately comes to mind. It’s been thirty-five years since I first read Leonard Cohen’s Death of a Lady’s Man and Eddie Woods’ Tsunami of Love: A Poems Cycle is the first cycle of poetry since that time that matches Cohen’s collection in terms of the demise of modern love, common-law marriage, sexual desire, and sexual obsession. Both poets deconstruct, reconstruct, criticize, explicate their long, passionate, sexual affairs. Both are by turns tender, despairing, sarcastic, erotic, self-loathing, prosaic and ultimately sublime in their depictions of intense love gone awry. As collections, each certainly does uniquely compliment the other. I cannot think of one without thinking of the other. Indeed, in the annals of poetry and world literature, I know of few collections so closely and intimately related. A connection deserving of further study.
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Mosquitoes & Whisky by Chris Walter — review by Mark McCawley

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Mosquitoes & Whisky by Chris Walter

 

review by Mark McCawley

 

mosquitoes & whisky coverMosquitoes & Whisky
by Chris Walter
GFY Press, 223pp, June 27 2012
Amazon Digital Services, Inc.
ASIN: B008XP5XLU
Literary Memoir

Chris Walter is an underground literary diamond in the rough, unapologetic, unpolished, hitherto uncut by the Canadian literary establishment. Laced with booze, sex, drug abuse, poverty, despair, low income labour, violence, deviance, criminality, and dark humour — Mosquitoes & Whisky is both Walter’s first title published by his aptly and sardonically named Gofuckyerself Press, in 2001, as well as his first coming-of-age literary memoir (or his initial “autobiographical punkalogue”).

What shocks the reader even more than the absolute urban desolation of circa 1970s Winnipeg — which acts as a microcosm for any small urban prairie city (Edmonton, Calgary, Saskatoon, Regina) — is the post-sixties conservative zeitgeist that pervades Walter’s memoir. It details the author’s struggles to escape his own liberal parents deteriorating marriage that mirrored so many other children’s parents surrounding them. Mosquitoes & Whisky gives candid snapshots of implied or impending physical, emotional, and verbal violence. One review I came across could not imagine how Walter could possibly become so angry.
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NY Sin Phoney in Face Flat Minor by bart plantenga — a review by Mark McCawley

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NY Sin Phoney in Face Flat Minor

by bart plantenga

 

review by Mark McCawley

 
Nysin1NY Sin Phoney in Face Flat Minor
by bart plantenga
Barncott Press, 140pp, December 5, 2012
Amazon Digital Services, Inc.
ASIN: B00AJ5SDFK
Fiction, Travel

“NY in spring is backtalk & edgy. Attitudes leaking from cooped-up psyches.” – Guy Trebay

NY Sin Phoney in Face Flat Minor combines elements and techniques of the novella, the travel diary, flash fiction, and the prose poem in an insightful and intriguing work of metafiction which renders and revisits New York City as only someone who has lived there possibly can — through the memories and imagination of an inhabitant:”I, like other New Yorkers, became “inured to the ravages,” as Flora Lewis described it, “around them they scarcely notice anymore.” This deadening of senses & morality allows us to believe we’re outwitting our environment.” This is how plantenga describes the Unloaded Camera Snapshot idea in the introduction, documenting “snapshots” of everyday life at a rate of 1 per day: “zen blinks, pop flashes, heated moments, & satori-sloshed sidewalk haikus re-pollinated my existence with the fecund details of the quotidian…using my third eye as a macro lens & suddenly noticing things again.” Ghosts of one New York mingling with another like passing pedestrians playing hopscotch in phenomenological detail amid urban decay while battling violently for the permanence and dominance of vision and memory — a blend of the real and the imaginary:
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