Review

Book of Pieces by Robert Roth

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Review by George Spencer

This is a book of many things as its title, Book of Pieces, suggests. It is a wonderful combination of literary forms, part diary, part poem, part detailed observations, part self-laceration, part hosannas and much more.  The subject matter, equally protean, is daily life in all its physical, emotional, and spiritual manifestations. It is all-encompassing realism that slowly enfolds the reader in its honesty, simultaneously unflinching, surgical, imaginative and loving.

Book of Pieces, AND THEN PRESS, 2016, takes place, ostensibly, in New York City and Argentina. In reality it all takes place in the mind of the author where everyday occurrences are transformed into striking verbal imagery sometimes surreal, often painful, sometimes humorous.

They had walkie talkies and were some type of civilian street patrol. “Why did you run?” “I thought you were going to mug me.” “No! You were going to mug us.” ”How can I mug you? I’m half a block away and walking in the other direction.”

Roth is a radical humanist wearing postmodern attire. The style is au courant. His values demands diversity, questions rules and tradition. He insists that humanity is the measure of all things.  This means that self-realization is a right and the benefits and obligations of freedom are available to all. Humanity’s obligations are found in Luke 6:31

And as ye would that men should do to you, do ye also to them likewise.

How this plays out in a committed life is the subject of this book. And it is well displayed in his comments about the magazine AND THEN that he started almost 30 years ago with Arnold Sachar, Shelley Haven and Marguerite Bunyan and now co-edits with Carletta Joy Walker.

In asking people to write for the magazine I promise them that their piece will be in.

We won’t reject anything. Period.

…we tell each person that they can write as freely as they want…

…if someone wants to do a straight scientific analysis of the makeup of a leaf, that would be as welcome as anything else…

Race and gender are of course crucial concerns.

The age range has been between 5 and 94.

Is there another magazine like this in the world? What could be more encouraging to creative, pacific self-realization than an open forum where the freedom to create is assured, recognition is wide spread and censorship does not exist? Of course with all this comes responsibility with regard to the sanctity of life.

And nowhere is the subject of the sanctity of life and decisions regarding its termination more honestly and painfully dealt with than in the sections of this book dealing with aging and the end of life. Roth is unflinchingly about his person experience as a holder of health proxies when he writes,

It is a subject so fraught with confusion, mystification, love, anger, hatred, ancient hurts, vulnerability, pleasure, need, revulsion, desire, fear, and wild projection. All taking place inside an ageist and freedom-hating culture.

and

No matter how understanding the person you are talking to might be, the urgency and pain are your’s. All the theorizing in the world won’t mitigate that fact. To interfere with their decision would be a very profound violation of someone’s dignity and autonomy. …people are in fact coerced, manipulated, treated with contempt, and are easily discarded…Wherever you come down on this, for me at least, when actually faced with real situations, it is all one horrible, bewildering, nightmarish mess.

Book of Pieces is well named. One can start at the beginning or at random and be informed, moved and finally enamored of the mind that composed this paean to life in all its complexity; the physical pleasure of sinking 3 pointers on an early summer morning in a deserted basketball court to the hurt of rejection, from the joy of intellectual and political companionship to the horror of living in a world intent on destroying itself.  This is the work of a mature artist who sees the world through the lens of hard earned experience. As he explains

When I peered into the future I thought the struggle would be between a deeply engaged enlightened humanism and a powerful transcendent humane radicalism. Not between a life-deadening imperial corporate liberalism and a worldwide sweep of fantastic, clashing, reactionary fundamentalism.

At the same time Roth, the humanist, in the final summation at the end of this book writes,

A few extremely tiny kids with wild energy on scooters scooted right under me as I was shooting on one of the side baskets. These kids were totally oblivious to me shooting. I kept an eye out for them but still continued, worried that the basketball might hit one of them on top of the head or that I would run over one of them or trip over a scooter and hurt myself. But in the end we all managed okay.

A major accomplishment, stylistically engaging, brave in its subject matter and aggressive in its literary techniques, this book deserves to be widely read especially in this season of pandering, dog whistling, fear mongering, excuse making and political cowardice. 

Idylls of Complicity by Carl Watson — review by Jim Feast

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Idylls of Complicity

by Carl Watson

 

review by Jim Feast

 
 
Carl Watson Idylls of ComplicityIdylls of Complicity
by Carl Watson (Author)
Spuyten Duyvil (December 10, 2015)
ISBN-10: 1941550754
ISBN-13: 978-1941550755
$16.00 US pbk | $21.62 CDN pbk | £10.60 UK pbk
242 pages, 5.1″ x 7.8″, Fiction

 
 

Carl Watson’s brilliant new novel, Idylls of Complicity, the second volume in a trilogy, has a lot to say about role playing. People play them: “Kathe was a neo-Marxist working in advertising – direct mail, actually, but she pretended it was mid-level retail and that it was a ‘creative’ position.” And people try to escape them. “That’s what drives the tourist industry … to get away from that kind of second-order experience, to get back to a one-on-one relationship where everything is new and now.” Being a tourist, it’s suggested, one would shed one’s role like a discarded snake skin. Read more

STUDY (& Other Poems on Art) by Yuko Otomo — review by Mark McCawley

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STUDY (& Other Poems on Art)

by Yuko Otomo

 

review by Mark McCawley

 
 
STUDY by Yuko OtomoSTUDY (& Other Poems on Art)
by Yuko Otomo (Author)
Ugly Duckling Presse (15 Nov 2013)
ISBN-10: 193702718X
ISBN-13: 978-1937027186
$18.00 US pbk | $18.00 CAN pbk | £15.72 UK pbk
288 pages, 5″ x 8″, Poetry

 
 
“tight-roping on memory & myth
I am an acrobat
who never learns how to make a balance
 
“Apollinaire!”
 
this will be my first scream
if I ever fall
 
“Apollinaire!”
 
this will be my last scream
if I ever fly away”

 
~Yuko Otomo, “Cornell Box #1 Untitled (Hotel Des Voyageurs), p.71 Read more

Anarchy for a Rainy Day by Valery Oisteanu — review by Ilka Scobie

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Anarchy for a Rainy Day

by Valery Oisteanu

 

review by Ilka Scobie

 
 
Anarchy for a Rainy DayAnarchy for a Rainy Day
by Valery Oisteanu (Author)
Spuyten Duyvil (29 Jul 2015)
ISBN-10: 194155055X
ISBN-13: 978-1941550557
$15.00 US pbk | $20.27 CDN pbk | £9.65 UK pbk
104 pages, 5″ x 8″, Poetry

 
 
Avant-gardist, art critic, hedonist, World traveler, Valery Oisteanu’s Anarchy for a Rainy Day is a poetic celebration of bohemian life. The reader joins the poet as he journeys through Europe, Nepal, South America, consorts with sex workers, activists, memorializes artists, and enjoys a long, loving and lustful marriage to his muse.
Some of these poems seduce with their sly wit and wordplay.
 
“So please advise before it’s too late/How can I gauge my mental state? Also imperative that I can self medicate/” from “Letter to My Shrink”. Addressed to Sigmund Freud, who Oisteanu beautifully played in an off Broadway play, the poem resounds with a charming and urbane urgency. Read more

Enigma: Art & Evolution of Michael Alan’s Living Installation by Mark McCawley

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Enigma: Art & Evolution

of Michael Alan’s

Living Installation

 

a photo review

by Mark McCawley

 
 

"Live music with tim Love Lee, Pearl necklace, and Mike Ogaltree", Photo Copyright © 2016 Hubert Burchardt

“Live music with tim Love Lee, Pearl necklace, and Mike Ogaltree”, Photo Copyright © 2016 Hugh Burchardt

Read more

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