Essay

Towards An Authentic Voice In Poetry: 5 Statements by Stephen Morrissey

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Towards An Authentic Voice In Poetry:

5 Statements

 

by Stephen Morrissey

 
 
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Beer Mystic Chapter 33: Furman’s mom visits his East Village apartment by bart plantenga

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bartMnemoheaderHappy birthday/mother’s day, mom, 2015

The decline of my mother, now 90 on 14 May, has been a slow, long descent since I was a teen. In my youngest youth, she was beautiful and loving. But as I turned 13 or so, her inability to navigate her way through reality became more evident. Things, jokes, music began to bug her. Her loving was replaced by a kind of obsession with the formalities of mothering, the rituals, the cleaning, the forbidding – the mechanics. This has increased over time and even while me and my brother were growing up, neighborhood kids would mock and tease my mom and call her Crazy Tina.

I never tried to analyze it until about 10 years ago, when I realized that her life had probably been more adversely affected by World War II than we thought. She was a teen in Amsterdam and had her best years confiscated by circumstance and any hopes she had for using her artistic inclination toward something satisfying in life somehow became secondary to survival and recovery.

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Warning: The Suppression of Mirth and Scurrilous Laughter by bart plantenga

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WARNING: High Levels of Scurrilous Laughter

by bart plantenga

 

“L’humour est le plus court chemin d’un homme à un autre.” (Humor is the shortest road from one person to another.) • Georges Wolinski, satirical cartoonist at CH [RIP]

1a moquezThe nervous laugh, the golfer’s clap of hilarity, is applied in situations involving severely uncomfortable moments of consciousness, when one realizes that a humorist is suddenly talking about you or your type or talking about something you have no clue about, but you laugh anyway just in case – so as not to appear clueless or unhip.

These unsettling ah-ha moments occur in connection with the most scurrilous, upsetting of art forms – mockery, satire, burlesque, parody – which breed unease because here is where we undergo dramatic renovations of our comfort zone. But that’s the extent of our arsenal. They have our health benefits, we have heightened derision. They have the generals & the priests, we have the cartoonist & the stand-up comedian.

That the art of laughing at – & then getting others to laugh at – the absurd cruelty of the entitled, those who possess the power to make but mostly break is something we should not under estimate. The ultimate target of satire & comedy is hypocrisy, big hypocrisy as perpetrated upon us by those we entrust with our vote, our hard-earned wages, our lives, our rental agreements, our subscriptions, our souls.

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Life is Now: The Art and Music of Michael Alan by Mark McCawley

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Life is Now:

The Art and Music

of Michael Alan

 

by Mark McCawley

 
 

 
 

“Mostly figurative, and based on the performances, the drawings here suggest an artist enthralled by improvisation. Alan’s thread-like lines are manically impulsive; they barely go an inch without detouring. Short, jagged strokes, tiny loops, and quick arcs make jittery, skeletal outlines of distorted human forms. Hasty daubs of blues and pinks wrap the frames with translucent skin while also conveying the blur of movement. Alan loves motion…”

Robert Shuster, The Village Voice, Tuesday, July 20, 2010

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Arklight: a musical overview — by Mark McCawley

Posted on by urbangraffito Posted in Audio, Ephemera, Essay, Interview, Music, Video | 1 Comment

Arklight:

a musical overview

 

by Mark McCawley

 
 
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Danny Kolm, Gregory Kolm and Max Kostaras are three twentysomethings who’ve lived their whole lives in Queens, NYC. Danny and Greg are brothers who started playing music together in 2003 under the name Arklight, releasing dozens of cassettes and Cdrs on small independent labels. Their early sound was a harsh mix of no wave noise, free jazz energy and punk psychedelia. Various friends filled in the lineup, with Danny playing guitar and Greg manning the drums, until 2013 when Max, a childhood friend and sometimes collaborator, became a permanent member on lead guitar. It was then that their sound shifted to reflect a burgeoning interest in songwriting, structure and improved musicianship. For inspiration, Arklight looked to the music they grew up on and loved, including Neil Young, Nirvana, Sonic Youth, Velvet Underground, Nick Cave and Beat Happening. They hope to continue their development and follow the muse wherever it may lead them.
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