A massive mix, focusing heavily on themes and subject matter so often so severely lacking in Canadian literature. Indeed, a condemnation on the current state and status of Canlit: it’s writers, publishers, and critics. A mix that reveals the full extent of what is creatively possible to the transgressive, urban post-realist writer. Truly, truly exceptional works.
Transgressive, discursive, tracks concerned with the struggles of hard edged urban living, alternative lifestyles, deviant culture – presented in their most raw and unpretentious form: music, fiction, poetry, monologues. We are the stories we tell. Yet another avenue for risky, dangerous writing: off the page. For far too long, and far too often literary recitals have been a literary crap shoot, depending on the preparedness and the oratory skills of the reader. At last, the technology has reached the level where individual authors, poets, and fiction writers can produce their own audio works to promote their printed counterparts. As editor, I welcome any and all such audio works for inclusion in the ongoing series of Urban Graffiti Mixes.