post-realism Archives » Urban Graffiti

Recreating the President’s Brain from Zapruder’s Home Movie by Philip Quinn

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Recreating the President’s Brain

from Zapruder’s Home Movie

 

by

 

Philip Quinn

 

jfk-zapruder-film-still-feat
 

from Love’s field,

                       all roads lead to complete synaptic breakdown
 
at Main and Houston, sharp 90 degree turn for the worse

             one block north along Houston to Elm Street

 

the cheering crowds
traces of love, traces of American actor fallout
Hiroshima, “Ask not…”
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Youth by Tim Beckett

Posted on by urbangraffito Posted in Daily, Fiction, Tim Beckett, Writing | 3 Comments

Youth

 

by Tim Beckett

 

1280px-Montréal_glow
She appeared on an old style woman’s bike with the heavy iron frame and the wide handlebars, her backpack so heavy she almost fell over as she came to a stop. I was drinking beer on Bill’s porch with Bill and a dozen other people and I watched her as she came up the stairs. She was striking, with high Indian cheekbones and olive skin and long brown hair she’d tied back in a ponytail with an Indian braid, and an athletic dancer’s figure which she’d wrapped in a ankle-length leather greatcoat. As she said hello in turn to everyone on the porch, I noticed that, unusually amongst Bill’s friends, she was French.

She’d noticed me as well, because she stopped right in front of me, taking me in with amazing diamond eyes. Up close, she looked familiar though that didn’t mean much: in the month I’d been back in Montreal, every street, face or overheard conversation – whether in French or English – contained some association with a set of vaguely remembered persons or memories. For this and other reasons, I didn’t like to go out much, but that afternoon was special: Bill and his wife Sarah were having a baby shower for their daughter Gisele, who had just turned one.

Sarah, just two years off heroin.
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The Ghost by Philip Quinn

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The Ghost

 

by Philip Quinn

 

Street

The Ghost

I’d beg for a cup of coffee, a stale bun. The
merchants chased me from their doorsteps. I made
note of their thick accents.

 

I thought after the last war, I would make my way
as a painter. But my art fed me nothing.

 

Now I listen for the guns. Each day their thunder
comes closer. A dog when it is fed cyanide
straightens its legs out.  Marriage — the last
desperate hope. I owed her that at least.

 

I always said my prayers like a good boy. Did the
honourable duty towards those that expected it.
Some had to die before me of course. Even the young
children.

 

Do you know what it is like to hear your name
shouted out and to feel the love of thousands?
Occasionally I lifted my hand and smiled.UG

 
PhilipQuinnPhilip Quinn lives in Toronto and online at www.philipquinn.ca.

Published Books:

Dis Location, Stories After the Flood (Gutter Press 2000)

The Double, a novel. (Gutter Press 2003)

The SubWay (BookThug 2008)

The Skeleton Dance, a novel (Anvil Press 2009)

The Crows by Paulette Powell

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The Crows

 

by Paulette Powell

 

Crows fly Charlie couldn’t stop talking about the crows, “The crows, I’ve never seen anything like it before! I tell you, hundreds, weighing down the tree limbs… when it was over, all of a sudden, the whole flock flew away.”

He’d taken several snapshots of the family. On second inspection, I could see Charlie’s signature style, “photo victims” standing in obedience, as though his pic would be featured in the Telegraph magazine. It was always about presentation, even if it weren’t the truth. He was good at directing and folks would comply.

A family portrait. There was Uncle Peter, the poet, and sweet Aunt Elizabeth. Cousins, David and Emma, who once visited us in NYC, right after David’s great bump on the head that proved a miracle awakening. Brother Benedict, looking like a Hell’s Angel, his aura of defiance fighting his English attire. Alongside conservative sister in law, Liz, whose gray hair and glasses were neatly packaged in school teacher manner, revealed Benedict wasn’t really the black sheep to marry a practical spouse. The Parents, were located in the center. “Mum”, a tormented matriarch, who did her best to bare a heavy cross of a sick girl. Her face still revealed a handsome woman, a diplomat’s wife. And “Dad”, who seemed always distant, unattainable for family but faithful to Kate. His eyes revealed a deep sadness beneath a hard exterior, betrayed the knighted war hero. He wasn’t made of stone, but marble layers of duty kept him locked away, sentencing him to a numb existence.
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Everybody — a video poem by Dennis E. Bolen

Posted on by urbangraffito Posted in Art, Ephemera, Photography, Poetry, Video, Writing | Leave a comment


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